Made to celebrate the centenary of the Galleria, the film traces its history from Giuseppe Mengoni's design, with its architectural and lighting wonders (gas flames), to its destruction during the war and its reconstruction in the post-war period. Olmi focuses mainly on the Galleria at the time the film was made, the crowds that inhabit it, the passers-by, the loiterers, the groups of anonymous gesticulating figures, the customers of bars and clubs, the nighttime crowd that appears there at dusk, the garbage collectors, the workers and immigrants looking for work who cross it at dawn.

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Antonio Pappano conducts the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia, accompanied by tenor Luciano Ganci and baritone Mattia Olivieri. The programme includes Giacomo Puccini’s Messa di Gloria, Amilcare Ponchielli’s Elegia and Victor de Sabata’s Juventus.

In 1847, Milan was ruled by the Austrians, commanded by Marshal Radetzky. The Milanese people were exhausted by the lack of freedom, and when an Italian cardinal was appointed to the Milanese curia, they took to the streets in celebration, with no intention of revolt. But the celebrations were stopped by the Austrians with harsh and cruel repression.

In ancient Greece a race of evil aliens from the moon land on earth. For years they've terrorized the nearby city of Samar, demanding children for sacrifice. Now, the queen of Samar has made a pact with the moon men to conquer the world and become the most powerful woman alive. However, the residents of Samar, sick of all the chaos, cheer when the mighty Hercules shows up to put a stop to it all.

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A love story turned assassination against the backdrop of the 1968 student massacre whose unresolved status is finally resolved in tense life threatening conditions. The story of a stubborn journalist who undertakes the clarification and bringing to justice of the heinous murder of one student forty years later represents a dedicated effort to force a country from denial to reconciliation and closure of tragic social and political events in a country´s history. A nation cannot allow official cover-ups that seek to delete and erase from the collective memory events that prevent a nation´s march towards social justice.

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An ageing Mexican woman recalls ever-darker memories from her childhood over images that slowly detach from reality. Festival alumna and Australian Directors’ Guild Award winner Chloe de Brito (Pink Reef, MIFF 2022) returns with a haunting, impressionistic work that reflects on familial history, dark secrets and the shapeshifting nature of memory.

Looking for news of his ex-guerrilla sons, a man agrees to collaborate with his restaurant in a network of drug dealers.